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Liu Chunrui
发布人:admin  发布时间:2026-01-14

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Liu Chunrui, male, Han ethnicity, from Duchang, Jiangxi Province, joined the university in July 2022. His research focuses on Chinese literary theory, the intellectual history of China, and the study of prose (wenzixue). He is also concerned with youth development, rural cultural construction, and Chinese language education.


Contact Email: duben2010@163.com


Main Research Areas and Directions:


Chinese literary theory

Intellectual history of China

Study of prose (wenzixue)


Courses Taught:


Literary Theory

Studies in The Literary Mind and the Carving of Dragons (Wenxin Diaolong)

College Chinese

Studies in the Jiangxi Poetry School


Major Academic Achievements and Awards:


Academic Monographs:


A Study of Prose in the Late Qing Dynasty (300,000 characters). Baihuazhou Literature and Art Publishing House, 2007.

Forthcoming manuscripts: Political Philosophy in Zhuangzi and A Study of Poetry in the Late Qing Dynasty.


Creative Works, Edited Volumes, and Editorial Leadership:


    1.Essay collection Memorial for the Flower Festival (240,000 characters). Jiangxi Education Publishing House, 2015.

    2.University National Literature (contributed 60,000 characters; editorial committee member; chief editor: Qi Yongxiang). Peking University Press, 2015.

    3.Fundamentals of Chinese Literature (contributed 150,000 characters; late Qing section; chief editor: Chen Hong). Peking University Press, 2009.

    4.Editor, Youth Reader. Baihuazhou Literature and Art Publishing House, 2010.

    5.During doctoral studies, served as editor-in-chief of Peking University Graduate Journal (hosted by the Graduate School of Peking University, 2004–2005).


Selected Research Papers:


    1.“On the Relationship between Zeng Guofan’s Temperament and His Classical Prose Thought.” Huaibei Normal University Journal, No. 3, 2021.

    2.“On the Sense of Time and Space in Du Fu’s Poetry during the Kaiyuan and Tianbao Eras.” Urban Studies Journal, No. 4, 2021.

    3.“A Moon Illuminating Past and Present: Also on Shi Libin’s Du Fu and Modern Poetry.” Literature and Art News, January 8, 2021.

    4.“Zhang Xuecheng’s Views on Classical Prose.” Nankai Journal, No. 3, 2016.

    5.“The Expression of Thought in Zhuangzi.” Hebei Radio & TV University Journal, No. 6, 2015.

    6.“On the Political Identity of the Allegorical Subject in Zhuangzi’s ‘Human World.’” Journal of Zhejiang Gongshang University, No. 2, 2013.

    7.“The Virtue of Discourse: On Han Yu and Zhang Xuecheng’s Notion of Literary Virtue.” Changsha University Journal, No. 1, 2013.

    8.“Pleasant Reading in the Nanhu Building.” Journal of Hunan University of Technology, No. 2, 2012.

    9.“The Artistic Conception of Miaogushe Hermit in Zhuangzi and Its Theoretical Implications.” Hebei Radio & TV University Journal, No. 6, 2012.

    10.“On the Political Nature of the ‘Three Discourses’ in Zhuangzi.” Nankai Journal, No. 6, 2012.

    11.“On the Political Dimension of the Theme of Free and Easy Wandering.” Literature and Culture, No. 4, 2012.

    12.“Blending Tang and Song: Yao Nai’s Poetic Theory and Practice.” Theoretical Studies in Literature and Art, No. 5, 2010.

    13.“Reflections on the Selection of Ancient Literary Theory and the Study of Classical Prose Theory.” Yunmeng Academic Journal, No. 3, 2010.

    14.“On the Intellectual Background of Yitang Literary Theory.” Journal of Huaibei Coal Teachers’ College, No. 6, 2009.

    15.“Voice Phenomena in Late Qing Classical Prose Theory.” Theoretical Studies in Literature and Art, No. 6, 2008. (Reprinted in Chinese Ancient and Modern Literary Studies, Renmin University of China, 2009.)

    16.“Lianchi Academy and the Formation of Wu Runlun’s Classical Prose Circle.” Oriental Forum, No. 1, 2008.

    17.“A Study on the Causes behind Mei Zengliang’s Leadership in Classical Prose in the Capital.” Yunmeng Academic Journal, No. 1, 2008.

    18.“Voice Phenomena in Late Qing Classical Prose Theory.” Theoretical Studies in Literature and Art, No. 3, 2008.

    19.“From ‘Spiritual Insight’ to ‘Rules and Forms’: The Wenfa Thought of the Yitang Nine Masters.” Journal of Jiangxi University of Finance and Economics, No. 1, 2007.

    20.“A Textual Study of ‘Poem of Li Ling, Han Dynasty Commander’ in The Graded Poems.” Yinshan Academic Journal, No. 3, 2007.

    21.“Classical Prose and Practical Achievements of Hunan Scholars during the Xianfeng and Tongzhi Periods.” Nankai Journal, No. 5, 2007.

    22.“Zeng Guofan’s Scholar-Official Learning and Its Internal Logic.” Qilu Journal, No. 6, 2007.

    23.“A Study of the Term ‘Short Rhyme’ in Lu Ji’s ‘Rhymeprose.’” Yunmeng Academic Journal, No. 1, 2006.

    24.“Mei Zengliang and the Spread of Tongcheng School Prose in the Capital.” Anhui Historical Documents Research Collection, Vol. 1. Huangshan Publishing House, 2005.

    25.“Spirit, Principle, Sound, and Color: Yao Nai’s Theory of Poetic Disposition.” Peking University Journal, No. 4, 2004.

    26.“The Absence of Adjectives and the Meaning of Action.” Peking University Graduate Journal, No. 3, 2004.

    27.“From Rhetoric to Principle: On Reading Knowledge and the Construction of Poetic Education.” Poetry Collections Journal, No. 2, 2004.

    28.“Song Learning and the Defense of Classical Prose: Examining Yao Nai’s Conduct and Scholarship through ‘Letter to Mr. Liu Haifeng.’” Anhui Historical Documents Research Collection, Vol. 1. Huangshan Publishing House, 2004.


Research Projects:


Sub-project contributor to the National Social Science Fund Major Project “A History of Chinese Literary Criticism in the 20th Century” (2020): “Studies in Classical Chinese Literary Criticism.” (Led by Professor Zhou Xinglu of the Department of Chinese Language and Literature; Liu is responsible for the classical prose [guwen] component.)



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